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The Wild badly needed a fresh start with the calendar turn and a boost from the home crowd before hitting the road yet again for a four-game trip on an imbalanced early schedule that gave them only five home dates over their first 18 games. Three of the five goals that backup Alex Stalock allowed on Tuesday at Dallas were last touched by the Wild, who blew a lead with 21 minutes to go and lost The Wild were outscored after the first period in October, but Fiala took the first step toward reversing the trend by evening the game just 61 seconds after the intermission.
Wild coach Bruce Boudreau screamed at the officials in protest, and the boos reverberated around the arena. The blueprint for a recovery for the Wild, whose six-year streak of making the playoffs ended after last season, sat on the bench to their right with a Blues team that had the worst record in the NHL as late as Jan. The Blues have picked up where they left off despite the devastating injury to Tarasenko, who will likely be out until April after surgery on his left shoulder.
'Orphans' Blues' Review | Hollywood Reporter
Allen has given up 11 goals in three starts. Eric Staal, who had only one assist in the first seven games for the Wild, has nine points in the last seven games. Blues: Play at Vancouver on Tuesday. They lost to the Canucks in a shootout at home on Oct. Wild: Play at Anaheim on Tuesday.
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Winds fan ferocious fires in Australia, threatening homes in Sydney suburbs. As a result of his late nights and drug and alcohol use, Belushi would often miss unit calls the beginning of a production day or go to his trailer after them and sleep, wasting hours of production time. One night, Aykroyd found him crashing on the sofa of a nearby house, where Belushi had already helped himself to food in the refrigerator. Cocaine was already so prevalent on the set like many other film productions of that era that Aykroyd, who used far less than his partner, claims a section of the budget was actually set aside for purchases of the drug during night shooting.
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The stars had a private bar, the Blues Club, built on the set, for themselves, crew, and friends. Carrie Fisher, Aykroyd's girlfriend at the time, said most of the bar's staff doubled as dealers, procuring any drug patrons desired. The original budget was quickly surpassed, and back in Los Angeles, Wasserman grew increasingly frustrated. He was regularly confronting Ned Tanen , the executive in charge of production for Universal, in person over the costs.
Sean Daniel , another studio executive, was not reassured when he came to Chicago and saw the production had set up a special facility for the 70 cars used in the chase sequences. Filming there, which was supposed to have concluded in the middle of September, continued into late October. On the set, Belushi's drug use worsened.
Fisher, who herself later struggled with cocaine addiction, said Landis told her to keep Belushi away from the drug. Wendell was hired to clear any from the places Belushi visited off-camera. Nevertheless, at one point, Landis found Belushi with what he described as a "mountain" of cocaine on a table in his trailer, which led to a tearful confrontation in which Belushi admitted his addiction and feared it could eventually kill him. After Belushi's wife Judy and Aykroyd had a talk with Belushi about his antics, the production returned to Los Angeles. Filming there again ran smoothly, until it came time to shoot the final sequence at the Hollywood Palladium.
Just beforehand, Belushi fell off a borrowed skateboard and seriously injured his knee, making it unlikely he could go through with the scene, which required him to sing, dance, and do cartwheels. Wasserman persuaded the city's top orthopedic surgeon to postpone his weekend plans long enough to stop by and sufficiently anesthetize Belushi's knee, and the scene was filmed as intended.
Much of the film was shot on location in and around Chicago between July and October , including Joliet Correctional Center in nearby Joliet, Illinois and Wauconda, Illinois , where the car crashes into the side of Route Byrne , it is credited for putting Chicago on the map as a venue for filmmaking. The first traffic stop was in Park Ridge, Illinois. The shopping mall car chase was filmed in the real, albeit shuttered, Dixie Square Mall , in Harvey, Illinois.
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The main entrance to Wrigley Field and its sign reading "Save lives. Drive safely, prevent fires. Elwood's Illinois driver's license number is an almost-valid encoded number, with Dan Aykroyd's own birth date embedded. Jake's final confrontation with his girlfriend was filmed in a replica of a section of the abandoned Chicago freight tunnel system.
Daley Center. In the final car chase scene, the production actually dropped a Ford Pinto , representing the one driven by the "Illinois Nazis", from a helicopter at an altitude of about 1, feet—and had to gain a Special Airworthiness Certificate from the Federal Aviation Administration to do it. The Lake Freeway North was a planned but not completed six-lane freeway, and I contained an unfinished ramp off which the Nazis drove. Bank Center. The Palace Hotel Ballroom, where the band performs its climactic concert, was at the time of filming a country club, but later became the South Shore Cultural Center , named after the Chicago neighborhood where it is located.
The interior concert scenes were filmed in the Hollywood Palladium.
The filming in downtown Chicago was conducted on Sundays during the summer of , and much of the downtown was cordoned off from the public. The film used 13 different cars bought at auction from the California Highway Patrol to depict the retired Mount Prospect, Illinois Dodge Monaco patrol car.
The vehicles were outfitted by the studio to do particular driving chores; some were customized for speed and others for jumps, depending on the scene. For the scene when the Blues Brothers finally arrive at the Richard J. Daley Center, a mechanic took several months to rig the car to fall apart. Landis' difficulties continued even after principal photography was completed.
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The first cut of the film lasted two and a half hours, with an intermission. After one early screening, Wasserman demanded it be shortened, and 20 minutes were cut. Prospects for a successful release did not look good. Aykroyd and Belushi had left SNL at the end of the previous season , reducing their bankability. Belushi's fame had taken a further hit after the commercial and critical failure of at the end of the year.
One day after the editing was done, Wasserman invited Landis up to his office to speak with Ted Mann , head of the Mann Theatres chain, which dominated film exhibition in the Western United States. He told Landis that he would not book the film at any theaters in predominantly white neighborhoods, such as Westwood.
Not only did Mann not want black patrons going there to see the film, [ citation needed ]  he surmised that white viewers were unlikely to see a film featuring older black musical stars. Ultimately The Blues Brothers got less than half the bookings nationwide for its initial release than a typical big-budget studio film of the era, which did not bode well for its success at the box office. The Blues Brothers opened on June 20, , with a release in theaters. Over the years, it has retained a following through television and home video.
The Blues Brothers received mostly positive reviews from critics.
The Blues Brothers
The site's critical consensus reads, "Too over the top for its own good, but ultimately rescued by the cast's charm, director John Landis' grace, and several soul-stirring musical numbers. Roger Ebert of the Chicago Sun-Times gave the film three out of four stars, praising it for its energetic musical numbers and "incredible" car chases. Ebert further noted "Belushi and Aykroyd come over as hard-boiled city guys, total cynics with a world-view of sublime simplicity, and that all fits perfectly with the movie's other parts. There's even room, in the midst of the carnage and mayhem, for a surprising amount of grace, humor, and whimsy.
She also took director Landis to task for "distracting editing", mentioning the Soul Food diner scene in which saxophonist Lou Marini's head is out of shot as he dances on the counter. Kim Newman, writing for Empire in , considered The Blues Brothers to be "an amalgam of urban sleaze, automobile crunch and blackheart rhythm and blues" with "better music than any film had had for many years". On the 30th anniversary, L'Osservatore Romano ,  the daily newspaper of Vatican City State , wrote that the film is filled with positive symbolism and moral references that can be related to Catholicism.
They went further, stating, The Blues Brothers "is a memorable film, and, judging by the facts, a Catholic one. The Blues Brothers has become a staple of late-night cinema, even slowly morphing into an audience-participation show in its regular screenings at the Valhalla Cinema , in Melbourne , Australia. The fans act as the members of the crowd during the performance of " Ghost Riders in the Sky ". It featured a press conference, a panel discussion where Dan Aykroyd joined by satellite, and a screening of the original theatrical version of the film.
The panel discussion was broadcast direct to many other cinemas around the country. The popularity of the film has also spread overseas. The film was an inspiration for Japanese companies Studio Hibari and Aniplex , which led to the creation of the manga and anime franchise Nerima Daikon Brothers , which contain heavy references to the film. When the film was first screened for a preview audience, a producer demanded that director Landis cut 25 minutes from the film.
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Weiss, editor George Folsey Jr. It also included production photographs, the theatrical trailer, production notes, and cast and filmmaker bios. The 25th-anniversary DVD release in included both the theatrical cut and the extended version. The film was released on Blu-ray on July 26, , with the same basic contents as the 25th-anniversary DVD. In a March interview with Ain't it Cool News , Landis also mentioned he had approved the Blu-ray's remastered transfer.